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Scorpion - Sound Clip #1,  mp3

Recording by Victor Mason

Scorpion - Sound Clip #2,  mp3

Recording by Victor Mason

Scorpion - Sound Clip #3,  mp3

Recording by Victor Mason

Scorpion - Sound Clip #4,  mp3

Recording by Victor Mason

All five Scorpion sound clips were recorded with the same Scorpion head played into a Mojave AmpWorks 4x12 extension cabinet.
 
Coyote - Sound Clip #1,  mp3
Recording by Victor Mason
Coyote - Sound Clip #2,  mp3
Recording by Victor Mason
Coyote - Sound Clip #3,  mp3
Recording by Victor Mason
Coyote - Sound Clip #4,  mp3
Recording by Victor Mason
Coyote - Sound Clip #5,  mp3
Recording by Victor Mason
Coyote - Sound Clip #6,  mp3
Recording by Victor Mason
Coyote - Sound Clip #7,  mp3
Recording by Victor Mason
All five Coyote sound clips were recorded with the same Coyote head played into a Mojave AmpWorks 4x12 extension cabinet. The Coyote amplifier was set with Bass and Treble volumes mixed together. In addition, all five Coyote sound clips were recorded using a Baker B1 guitar with Dimarzo Airbuckers played directly into the amp with no pedals. Echo was added to the recordings afterward, as all clips were recorded essentially dry.
 
PeaceMaker - Sound Clip #1,  mp3
Recording by Victor Mason
PeaceMaker - Sound Clip #2,  mp3
Recording by Victor Mason
PeaceMaker - Sound Clip #3,  mp3
Recording by Victor Mason
PeaceMaker - Sound Clip #4,  mp3
Recording by Victor Mason
PeaceMaker - Sound Clip #5,  mp3
Recording by Victor Mason
PeaceMaker - Sound Clip #6,  mp3
Recording by Victor Mason
PeaceMaker - Sound Clip #7,  mp3
Recording by Victor Mason
Both PeaceMaker sound clips listed above were recorded with the same PeaceMaker head played into a Mojave AmpWorks 4x12 extension cabinet. The guitar was a Strat with a humbucker in the bridge position. Clip one has no effects inline with the guitar, while clip two incorporates an MXR flanger. Echo was added to the recordings afterward, as all clips were recorded essentially dry.
 
Sidewinder - Sound Clip #1,  mp3

Recording by Brian Wooten

Sidewinder - Sound Clip #2,  mp3

Recording by Brian Wooten

Sidewinder - Sound Clip #3,  mp3

Recording by Brian Wooten

Sidewinder - Sound Clip #4,  mp3

Recording by Brian Wooten

Sidewinder - Sound Clip #5,  mp3

Recording by Brian Wooten

Sidewinder - Sound Clip #6,  mp3

Recording by Brian Wooten

Sidewinder - Sound Clip #7,  mp3

Recording by Brian Wooten

Sidewinder - Sound Clip #8,  mp3

Recording by Brian Wooten

Sidewinder - Sound Clip #9,  mp3

Recording by Brian Wooten

Sidewinder - Sound Clip #10,  mp3

Recording by Brian Wooten

Sidewinder - Sound Clip #11,  mp3

Recording by Brian Wooten

Sidewinder - Sound Clip #12,  mp3

Recording by Brian Wooten

Sidewinder - Sound Clip #13,  mp3

Recording by Brian Wooten

All ten Sidewinder sound clips were recorded using a Fender Telecaster through the same Sidewinder 2x12 Combo. The sound clips were recorded with a single SM57 mic into a DAT recorder.  Some reverb and echo was added to the recordings afterward, as all clips were recorded essentially dry.
 
Plexi 45 - Sound Clip #1,  mp3
Recording by Brian Wooten
Plexi 45 - Sound Clip #2,  mp3
Recording by Brian Wooten
Plexi 45 - Sound Clip #3,  mp3
Recording by Brian Wooten
Plexi 45 - Sound Clip #4,  mp3
Recording by Brian Wooten
Plexi 45 - Sound Clip #5,  mp3
Recording by Brian Wooten
Plexi 45 - Sound Clip #6,  mp3
Recording by Brian Wooten
Plexi 45 - Sound Clip #7,  mp3
Recording by Brian Wooten
Plexi 45 - Sound Clip #8,  mp3
Recording by Brian Wooten
Plexi 45 - Sound Clip #9,  mp3

Recording by Greg Weber

Plexi 45 - Sound Clip #10,  mp3

Recording by Greg Weber

The Plexi 45 sound clips numbered #1 - #8 were recorded using a Fender Telecaster through a Plexi 45 Head & 2x12 Extension Cabinet. The sound clips were recorded with a single SM57 and a DAT recorder.  Some reverb and echo was added to the recordings afterward, as all clips were recorded essentially dry.

The Plexi 45 sound clips numbered #9 & #10 were recorded using a Gibson Historic '59 Les Paul through a Plexi 45 Head & 4x12 Extension Cabinet. The sound clips were recorded with a single SM57 and a Pro Tools Digi-002 system.  The signal chain includes various drive pedals and a Replex.  Some reverb was added to the recordings afterward.